However, no noticeable, after-the-fact enhancements can be detected here. The Loren chase has several effect shots, of course, especially when you see Indy and co in close-ups (as in the scene in the rubber dinghy illustrated at the beginning). This has now been blended in much more coherently. In the first exterior shot of the temple, you could still see (especially on the left by the rocks or even by the top center) some gray edges from being copied in. Otherwise (also previously with Star Wars) the comments of this Twitter user were reliable and he calls this place a "major change", so we have included it without guarantee after all. Whether that's what was meant by it isn't entirely clear, though. In the full frame comparison, you can see at least a slight distortion in the image, though this basically applies to the whole film. As the star scale enters the image, the "crop" is said to differ. Also Indy's hat no longer has any trailing effects.Īs with the first film, we have also added zoomed shots of the relevant places last.Ī change was posted a here but we can't really follow it. This has now been inserted a little better. In the side shots, especially Willie's hair used to show gray haze from copying in. > Fullscreen comparisons on - Part 1 and Part 2Īfter the airplane explosion was seen 1:1 identical with somewhat outdated effects, the subsequent inflatable boat tour was a bit of a handful. It certainly still does in the 4K version - but just a bit less than before.Īhead for the following screenshots: We have for the most part additionally filed these in 1080p. Especially in her own credit, the camera actually wobbled around a bit. Hard to capture on single frames: The framing was stabilized a bit in Willie's performance. Due to the deliberately rather inconspicuous nature of such changes, we would also like to give no guarantee here that all digital changes were found and listed in the report. At this point, however, special thanks go to the users in the forum, by whom many of the mentioned differences were noticed for the first time and were analyzed in more detail. The additional color space results in a different picture when played back on the TV in HDR, so that the SDR screenshots, which tend to be a bit darker, only show "half the truth".Ģ) Of course, we compared the complete film specifically with the new 4K set, which also includes Blu-ray repacks of the old discs in Germany. On the other hand, these are HDR->SDR converted images. On the one hand, the detail gain is only visible on good UHD equipment. The replaced shadow in Indy's case is again a bit bumpy and may be annoying for some.ġ) Both the referenced image comparisons and especially our screenshots, which are heavily compressed in size, should be taken with a grain of salt when it comes to a quality verdict. Again, most of the differences can be classified as quite accomplished, subtle and with real added value. The most extensive interventions were clearly made in the finale. The second part, Indiana Jones and the Temple of Doom, continues this line seamlessly. Various minor digital adjustments have been made to optical effects and transitions to matte paintings using modern technology. In our report on the 4K Blu-ray of Raiders of the Lost Ark, we already detailed what can be found in the UHD premiere, which is available since 10 June 2021. Comparison between the 4K Blu-ray (identical worldwide and presumably soon to be common on streaming providers with UHD option) and the Blu-ray version (first released in 2012, only repacks were re-released in the new set in 2021 as well).
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